My artistic practice unfolds through a research-based exploration of the nature of communication — its rhythms, its pauses, and the tension between internal and external dialogue. I investigate fragile connections, the insecurity before the unknown, and the subtle ways in which meaning is constructed or disrupted.

I am drawn to slow, tactile, and handmade methods such as embroidery, assemblage, and collage, alongside drawing and painting. These manual processes allow me to engage deeply with materiality, time, and gesture. Through them, I attempt to give form to the incomprehensible — that which interrupts the apparent coherence of the environment or hides beneath its surface. Often, the boundary between the human and animal world, the real and the imaginary, becomes increasingly blurred.

Collage and assemblage in particular carry an ecological dimension. Through the reuse of discarded or “useless” materials, I aim to offer them a second life. It is a process of care, recomposition, and transformation. Collage often becomes a site of convergence — where unrelated fragments meet, or where different realities merge into one another.

Occasionally, I incorporate digital media — video, sound, or interactive formats — as a means of exploring collective memory in an era of rapid digitization. We live in a time of acceleration that threatens to erode memory, replacing it with fragmentation and oblivion. Through my work, I seek to slow things down, to listen, and to reassemble the pieces.