My artistic practice focuses on materiality, fragmentation, and transformation, drawing on artistic traditions that approach material not as a neutral medium but as a carrier of memory and experience. Paper, embroidery, and worn or discarded materials are removed from their original contexts of use and care and reassembled through processes of cutting, crumpling, and reuse. The works emerge through successive transformations of forms and textures, reflecting a world in constant motion and instability.

Through painting, drawing, collage, and assemblage, I create hybrid figures that inhabit the ambiguous boundary between the human and the animal. The incomplete and the uncanny take on a central role, questioning ideas of human superiority and proposing alternative ways of understanding coexistence based on interdependence, care, and ethical responsibility. Rather than seeking fixed meanings, the work dwells in the uncertainty of articulation itself — in the tension between the urge to express and the material limits of expression. My practice situates itself within a long-standing artistic dialogue with the body, material, and time, offering a space for pause and attentiveness in response to the accelerating pace of contemporary life.